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SubstratesSubstrates

Substrates

Fine Art Prints
An array of papers and canvases are available at Artmedia Studio for printing according to our customers’ insight and vision for each work. We have included a curated list of first-rate substrates that we recommend due to their qualities and reputed extraordinary print results. They are part of the catalog of Hahnemühle FineArt Papers, Canson Infinity Art Papers, and ILFORD FineArt Papers, the three brands we work with, which have also accredited our print services. Please, scroll down to select your preference, and if you want a substrate not listed here, you can communicate with us and get your service soon.

Hahnemühle FineArt Papers

Matt FineArt smooth

Photo Rag, 308 gsm, 100 percent Cotton, white
Photo Rag Ultra Smooth, 305 gsm, 100 percent Cotton, white
Photo Rag Bright White, 310 gsm, 100 percent Cotton, bright white
Rice Paper, 100 gsm, 100 percent a-Cellulose, white

Matt FineArt Textured

Agave, 290 gsm, 70 percent fibre, 30 percent Cotton, white
Hemp, 290 gsm, 60 percent Hemp fibre, 40 percent, Cotton white
German Etching, 310 gsm, 100 percent, a-Cellulose, white
William Turner, 310 gsm, 100 percent Cotton, mould-made, white

Glossy FineArt

FineArt Baryta Satin, 300 gsm, 100 percent, a-Cellulose, white, satin finish
Photo Rag Satin, 310 gsm, 100 percent Cotton, white, satin-finish
Photo Rag Baryta, 315 gsm, 100 percent Cotton, white, high-gloss
FineArt Baryta, 325 gsm, 100 percent, a-Cellulose, bright white, high-gloss
Photo Rag Metallic, 340 gsm, 100 percent Cotton, natural white, high-gloss, metallic finish

Canvas FineArt

Cezanne Canvas, 430 gsm, 100 percent Cotton, natural white
Goya Canvas, 340 gsm, Poly-Cotton natural white, satin finish
Daguerre Canvas, 400 gsm, Poly-Cotton, bright white
Canvas Metallic, 350 gsm, Poly-Cotton, white, metallic finish

Canson Infinity FineArt Papers

Matt FineArt smooth

Baryta Photographique II Matt, 310 gsm, 100 percent Cotton, museum grade white
Rag Photographique, 310 gsm, 100 percent Cotton, white
Arches 88, 310 gsm, 100 percent Cotton, ultra-smooth surface, pure white

Matt FineArt Textured

Arches BFK Rives, 310 gsm, 100 percent Cotton, white
Arches BFK Rives, 310 gsm, 100 percent Cotton, pure white
Edition Etching Rag, 310 gsm, 100 percent Cotton, purest white tone
Aquarelle Rag, 310 gsm, 100 percent Cotton, surface texture and warm white

Glossy FineArt

Baryta Phographique II, 310 gsm, Satin Finish, 100 percent barium sulphat, layer (baryta)
Platine Fibre Rag, 310 gsm, Satin, 100 percent Cotton, platinum paper
Baryta-Prestige-II 340 gsm, 340 gsm, mixed alpha-cellulose and cotton base, coating of a barium sulphate

Canvas FineArt

PhotoArt Pro Canvas Matte, 395 gsm, Cotton/Poly Blend OBA Free
Museum Pro Canvas Matte, 385 gsm, 100 percent Cotton, OBA Free
PhotoArt Pro Canvas Lustre, 395 gsm, Cotton/Poly Blend, OBA Free
Museum Pro Canvas Lustre, 385 gsm, 100 percent Cotton, OBA Free

ILFORD FineArt Papers

Matt FineArt smooth

Smooth Cotton Rag, 310 gsm 100 percent Cotton, very smooth surface
Smooth Cotton Sonora, 320 gsm, 100 percent Cotton, no optical brightners
Smooth Cotton Sprite, 280 gsm, 100 percent Cotton natural base tint
Fine Art Smooth Pearl, 270 gsm, alpha-cellulose natural base tint

Matt FineArt Textured

Textured Cotton Rag, 310 gsm, 100 percent Cotton, no optical brighteners
Cotton Artist Textured, 310 gsm, 100 percent Cotton, no optical brighteners
Matt Cotton Medina, 320 gsm, Cotton, no optical brighteners
Textured Cotton Sprite, 280 gsm, 100 percent Cotton, natural base tint
Fine Art Textured Silk, 270 gsm, 25 percent cotton and 75 percent cellulose, warmtone paper
Whashi Torinoko, 110 gsm, Japanese paper, Fine textured matt surface

Glossy FineArt

Gold Fibre Gloss, 310 gsm, 100 percent Cotton, no optical brighteners
Gold Fibre Pearl, 290 gsm, Baryta photo paper, highest image quality and consistency
Gold Fibre Rag, 270 gsm, Baryta photo paper, soft textured

Canvas FineArt

Fine Art Canvas Galicia, 450 gsm, Cotton/Polyester blend, Bright White
Decor Canvas Matt Cotton, 370 gsm, 100 percent Cotton, Nanoporous Coating
Decor Canvas Bright White, 380 gsm, Cotton/Polyester blend, Matt surface with bright white
Decor Canvas Glossy, 400 gsm, Cotton/Polyester blend, Nanoporous Coating

Awagami FineArt Papers

Matt Fine Textured

Murakumo Kozo 42 gsm
Inbe Thin 70 gsm
Bamboo Paper 110 gsm
Bamboo Paper 170 gsm

Substrates

Work with a print specialist to determine which paper works better according to your artwork, insight, and artistic vision.
Order Fine-Art Print

Frequently Asked Questions

What is a Substrate?

By definition, a substrate or substratum is a layer of material placed directly on a film or plate as a foundation for the sensitive emulsion. By extension, it is the paper to print digitally.

Which types of fine art print papers are the most used?

The most used fine art print papers are the following: glossy, matt textured, matt smooth, and canvas.

What are the qualities of Glossy FineArt Papers?

The gloss range extends from subtle gloss (satin) to mid lustre (pearl) through to high gloss (baryta). All of them are:

  • 100% cotton or pure alpha cellulose
  • Glossy premium-Inkjet coating
  • Acid and lignin free
  • Museum-quality for highest age resistance
  • Compatible with pigment and dye inkjet systems

What are the qualities of Matt FineArt Textured or Smooth Papers?

There are several matt textured papers, with a distinctly textured surface. Their main qualities are:

  • 100% cotton or pure alpha cellulose
  • Matt premium inkjet coating
  • Acid and lignin free
  • Museum-quality for highest age resistance
  • Compatible with pigment and dye inkjet systems

What are the qualities of Canvas FineArt Papers?

The Canvas for FineArt Print is delivered in a wide choice of canvas made from cotton or poly-cotton. Their principal qualities are:

  • Fine, uniform canvas texture
  • Matt or Glossy premium inkjet coating
  • Acid and lignin free
  • Museum-quality for highest age resistance
  • Compatible with pigment and dye inkjet systems

What are the qualities of Natural Line FineArt Papers?

The Natural Line focuses on four FineArt inkjet papers made from unique raw materials: bamboo, hemp, agave, and sugar cane, which require minimal maintenance and less water than other natural materials. They are:

  • White, without optical brighteners
  • Lightly textured felt structure
  • Matt premium inkjet coating
  • Acid and lignin free
  • Museum-quality for high age resistance
  • Compatible with pigment and dye inkjet systems
Gady Alroy

Have a question that is not listed?

We invite you to schedule a meeting with one of our specialist.

Schedule a Meeting
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